Bad Boy Chiller Crew wants to be known for more than their silliness. Never mind the videos of them slugging Smirnoff from the bottle and retching in an alley, or cackling in the passenger seat as they churn through prank calls. Ignore the allegations that one member went to the hospital with a kidney infection after a fan hurled an ounce of ketamine on stage at a show. There they are showing up to the BRIT Awards in a horse and carriage, sharing their tips to avoid a hangover (“Get straight back on it”) and vowing to chop one of the boy’s mullets if their album tops the charts. The trio from Northern England makes frenetic tracks that slam through your skull; the songs explode like a shaken Coke bottle. In the Bad Boy Chiller Crew cinematic universe, every bender leaks into the next—“From the nightclub to the kitchen!” as the boys howl in one of their better new tracks. They make lifelong friends in urinals. They get high, get into hijinks, and get home just in time to hit up an endless blur of clubs. It’s because, not in spite of, this central goofiness that the Bradford boys have found such a broad audience. “People automatically wanna be our friends because we make the world look like a fucking joke,” one of the boys told British GQ; it’s also a large part of why so many listen.
Influential, the group’s latest release, is a bloated bridge between their frenzied bangers and a bid for the mainstream. “We’re going for commercial,” the boys have said in interviews, and with every release, they’ve gotten closer to that goal. Even though they strive to show off their range, the project feels more disparate and distracted than expansive. They wobble between blown-out bangers and a pitched-down Cher interpolation (“Believe”), treacly odes to girls they met at a club on a Tuesday (“Found True Love [You’re the Best Thing]”), wailing wonders about where their soul has gone. They demand to know if love is “true.” “Thought we could have set in stone,” they rap at one point. “Now you’re nothing but a stepping stone.” It’s clever-enough wordplay, but too flimsy to elicit any feeling, and too earnest to excuse as a bit.